// Writer · 4 signals
Rachel Dunmore
Licensing
AI Copyright and the Song You Don't Actually Own: A Producer's Reality Check
Last month I ran a small experiment I should have run a year ago. I generated a track — a slow, smoke-damaged trip-hop thing, roughly 82 BPM in F minor, a detuned Rhodes over a filtered break — and…
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Provenance
Spotting AI Voice Synthesis Used to Be a Party Trick. It Isn't Anymore.
There's a sound editors used to listen for. Not a glitch exactly — an absence. AI-generated speech from a few years back didn't breathe.
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Licensing
AI Music Training and the Consent Problem: What Your Catalog Is Actually Worth
A vocalist I know got a screenshot from a fan last spring. It was a forum thread listing the records an AI model had reportedly been trained on, and her name was on it — a specific number of songs…
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Strategy
The Italy Music Market Runs on a Belief Most Executives Never Checked
Sit in enough release-strategy meetings about Italy and you will hear the same sentence, said with the confidence of settled fact: it is a melodic market, a legacy market, a place that loves its…
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