Guides, tutorials, and brutally honest reviews on AI music generation, royalty-free sound, and the future of production. Tune in.
A track lands on a streaming service. Somewhere in its metadata sits a flag: this was made with AI, or this was made by a human.
There is a number that quietly undoes most of the celebratory decks about India as the next great streaming market.
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A checkbox showed up in an upload flow last year that read something close to "This track was created using AI." No tooltip. No definition.
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A distributor I know — mid-size, moves K-pop B-sides and a lot of indie electronic into Asian DSPs — sent me a two-line message last month.
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The advice going around the streaming business right now is clean enough to fit on a slide: the search box is finished, and the future of discovery is a conversation.
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A campaign brief crosses your desk on a Tuesday. Twelve creators, mid-tier followings, each posting a fifteen-second Reel with your artist's new single under a lip-sync or a get-ready-with-me.
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Last month I uploaded a test track through a mid-tier distributor to see what the disclosure step now looks like from the inside.
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A track lands in a distributor's ingest queue on a Tuesday. Somewhere between the DDEX feed and the store page, it picks up a tag that says part of it was made with AI.
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Deezer said it out loud before most of its competitors did: on some days, roughly a third of the tracks arriving at its ingestion pipeline are fully machine-generated.
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A label that says "AI-generated" on a track doesn't tell a listener whether a machine made the music.
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The number that kills most international bookings for an independent Indian artist is not the performance fee. It is the flight.
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Here is the question, and I think most independent Indian artists have asked some version of it at 1am after paying an annual distribution fee: does a distributor actually get you anywhere near an…
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