Guides, tutorials, and brutally honest reviews on AI music generation, royalty-free sound, and the future of production. Tune in.
A festival stage in Lagos, a DSP logo on the backdrop, and a press line about "investing in the sound of a generation." The easy read is that the platform bought the moment.
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Last month I fed a generator a four-bar phrase built around an interlocking kulintang-style pattern — bronze gongs, a lilting call-and-response I'd transcribed years ago from a field recording.
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Picture a release you scheduled for a Friday. Distributor confirmed it weeks ago, the artwork's clean, you told your list.
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A gamelan teacher in Kuala Lumpur said the sentence to me like it was a seatbelt: "AI is just a tool. Use it, keep your soul." He'd read it in a dozen op-eds.
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Sometime last year a legacy rock act rolled out an album with a bracket. Not a tour bracket — a World Cup-style knockout tournament, band members captaining fictional teams, fans voting through a…
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The problem with AI music generation is not that the music sounds bad. Plenty of it sounds fine. The problem is the ledger — the list of names whose work went into the machine, who never got asked…
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You upload a track through your distributor on a Tuesday. Wednesday it's "in review." Friday you get an email: the release is held pending "clarification of the tools used in production." You didn't…
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The arithmetic tells the whole story before the law does. A jury in September 2024 put the number at $71.5 million. A judge knocked it to $1 on a technicality of damages calculation.
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There is a field in every distributor's upload form marked Composer. Sometimes it is required, sometimes it is not, and for a fully AI-generated instrumental it is the field where an honest person…
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A round number lands in your inbox with the word "fund" next to it — say ten million dollars, earmarked for independent artists by a company built on AI music generation. The press language is warm.
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A track lands in a distributor's ingestion queue at 2 a.m. — a moody downtempo instrumental, 82 BPM, F minor, delivered as a 48kHz WAV with stems.
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Last month a client sent me a phone recording of a fan chant from a stadium show and asked whether I could clean it up into a crowd bed for a promo edit. Standard request.
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