The generation call is the easy part. You send a prompt, you get a job ID, you poll or wait for a webhook, and eventually a track exists.
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There is a persistent belief among people who model live-entertainment companies for a living: that the venue itself is the boring part. The brand has the pricing power.
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A producer I work with sent me her quarterly streaming statement last spring with one line circled in red: the per-stream rate on a catalog of forty tracks had slipped again, and she couldn't tell…
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A mid-size publisher I talked to last winter had 240 backlist titles sitting in a spreadsheet, every one of them text-only, every one of them a candidate for an audio edition that would never get…
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