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A benefit festival sells a ticket for, say, $150. By the time the cause sees money, the line on the press release reads "net proceeds." Somewhere between that $150 and the check that lands at a…
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The lawsuit was never the story. The settlement is. For two years the music industry treated AI audio companies as defendants — entities to be sued into either compliance or extinction.
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You finished the song at 1 a.m. A two-minute Suno cut in A minor, 92 BPM, a detuned Rhodes under a half-time trap kick, exported clean at 48kHz. The hard part was supposed to be over.
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A dispute lands on your desk on a Tuesday. A distributor flagged a track in your catalog as machine-generated, pulled it from three DSPs, and now the artist's lawyer wants to know what produced that…
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There's a sound editors used to listen for. Not a glitch exactly — an absence. AI-generated speech from a few years back didn't breathe.
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A producer I know went live last month from a spare bedroom in Leeds — two controllers, a ring light pointed at the ceiling because direct light washed her out, and a set of unreleased edits she'd…
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The advice you hear at every rights conference is some version of this: a good catalog sells itself. Capital is deep, music is a non-correlated asset, the institutions are lined up around the block…
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It is 4:40 on a Friday. Your accounts payable person picks up, and it is the owner — same cadence, same slightly clipped way he says her name, same background hum of a car.
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I put twenty dollars on a song last month. Not on the artist, not on a stream-count milestone three years out — on a specific question with a specific deadline: would a particular pop single still sit…
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You have probably asked yourself some version of this in a Monday meeting: when a private-equity shop or a major label puts real money behind AI music generation, what are they actually buying — and…
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