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A label strategist told me last spring that her whole Gen-Z plan was a spreadsheet of playlist editors. Pitch the editor, land the placement, ride the skip-rate. That was the plan.
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A label A&R I know spent last quarter obsessing over a mid-six-figure playlist push and never once opened a Twitch stream.
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There is a line you hear at every ticketing panel, delivered with the confidence of a weather report: regulate the resale market and you will destroy jobs.
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A playable browser game that loops your single as its soundtrack will pull more fan attention this month than another cold pitch to a playlist curator who owes you nothing. That is the claim.
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A promoter I know in the Midwest read the headline about her state's new ticketing law twice, then asked me the only question that mattered to her business: "Is this going to help me, or is this going…
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A distributor made headlines when it said something like a third of the tracks arriving through its pipe each day were AI-generated.
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A director I work with sent me a track last spring, generated in about forty seconds from a text prompt, and asked one reasonable question: "Can we clear this for the festival cut?" Not a hard…
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The advice you have heard a hundred times is this: never sign a music contract without a lawyer. It is on every forum, in every "things I wish I knew" thread, repeated by every producer who got burned…
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In early 2024, a finance worker at engineering firm Arup joined a video call with people who looked and sounded like his CFO and several colleagues. He'd been suspicious of an earlier email.
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Last month I ran a small experiment I should have run a year ago. I generated a track — a slow, smoke-damaged trip-hop thing, roughly 82 BPM in F minor, a detuned Rhodes over a filtered break — and…
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