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You can clear every single track in a dataset — every Creative Commons attribution, every share-alike clause, every artist credit logged and honored — and still lose a copyright case over that…
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Here is a question anyone who has ever sat in a chair with the power to say yes or no to a song has asked themselves at two in the morning: what was Clive Davis actually hearing that the rest of the…
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Last Tuesday I had a bass idea — a detuned, slightly seasick sub around 55 Hz, the kind that wobbles a quarter-tone flat and back like it's deciding whether to commit.
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A research dataset shows up on a university mirror. A few thousand tracks, neatly tagged by genre, key, and BPM, every file marked Creative Commons, the whole package described in the README as "open…
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A fan at a merch table taps their phone against a vinyl sleeve. Half a second later, a pass drops into their digital wallet, a download code resolves in the background, and — if every condition lines…
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A sync deal I watched fall apart last year didn't die over money or taste. The placement was approved, the spot was cut, the music supervisor loved the track.
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Last fall a Grammy-winning singer posted that hundreds of her songs — including tracks she had never released — appeared to have been swept into a generative music model without anyone calling her…
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A platform announces a new office in a country it was, not so long ago, publicly at odds with. There were takedown demands, a regulator's letter, a few months when the catalog felt politically…
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Last month I fed eight bars of my own singing — a scratch vocal from a film cue I scored in 2016 — into a voice-cloning tool to see what would happen.
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A detector once told me a track on my running playlist was machine-generated. I'd seen the band play it in a basement in Oakland two years earlier — three people, one of whom broke a string.
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