Copyright rulings, Content ID, label drama, and what the machine age actually means for anyone releasing music. The analysis, minus the panic.
Sometime last year a legacy rock act rolled out an album with a bracket. Not a tour bracket — a World Cup-style knockout tournament, band members captaining fictional teams, fans voting through a…
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The problem with AI music generation is not that the music sounds bad. Plenty of it sounds fine. The problem is the ledger — the list of names whose work went into the machine, who never got asked…
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You upload a track through your distributor on a Tuesday. Wednesday it's "in review." Friday you get an email: the release is held pending "clarification of the tools used in production." You didn't…
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The arithmetic tells the whole story before the law does. A jury in September 2024 put the number at $71.5 million. A judge knocked it to $1 on a technicality of damages calculation.
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There is a field in every distributor's upload form marked Composer. Sometimes it is required, sometimes it is not, and for a fully AI-generated instrumental it is the field where an honest person…
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A round number lands in your inbox with the word "fund" next to it — say ten million dollars, earmarked for independent artists by a company built on AI music generation. The press language is warm.
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A track lands in a distributor's ingestion queue at 2 a.m. — a moody downtempo instrumental, 82 BPM, F minor, delivered as a 48kHz WAV with stems.
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Last month a client sent me a phone recording of a fan chant from a stadium show and asked whether I could clean it up into a crowd bed for a promo edit. Standard request.
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Somewhere in a filing queue at the trademark office, an artist is trying to register the sound of their own throat.
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There is a persistent belief among people who model live-entertainment companies for a living: that the venue itself is the boring part. The brand has the pricing power.
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A country single crossed an A&R friend's desk last winter with a backstory that checked out on paper: a regional act, a clutch of streams, a label-ready master at 48kHz. The voice had grit.
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The fight over AI and music rights will not be settled by a landmark verdict. It will be settled by whoever builds the registries, the metadata, and the payment rails that decide who gets paid when a…
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